“The story tells of a prince who wants to marry a princess, but is having difficulty finding a suitable partner. Something is always wrong with those he meets, and he cannot be certain they are real princesses. One stormy night (always a harbinger of either a life-threatening situation or the opportunity for a romantic alliance in Andersen’s stories), a young woman drenched with rain seeks shelter in the prince’s castle. She claims to be a princess, so the prince’s mother decides to test their unexpected guest by placing a pea in the bed she is offered for the night, covered by 20 mattresses and 20 featherbeds. In the morning the guest tells her hosts—in a speech colored with double entendres—that she endured a sleepless night, kept awake by something hard in the bed; which she is certain has bruised her. The prince rejoices. Only a real princess would have the sensitivity to feel a pea through such a quantity of bedding. The two are married, and the pea is placed in the Royal Museum.
….commentary:
Unlike the folk heroine of his source material for the story, Andersen’s princess has no need to resort to deceit to establish her identity; her sensitivity is enough to validate her nobility. For Andersen, “true” nobility derived not from an individual’s birth but from their sensitivity. Andersen’s insistence upon sensitivity as the exclusive privilege of nobility challenges modern notions about character and social worth. The princess’s sensitivity, however, may be a metaphor for her depth of feeling and compassion.”
